Thursday, January 23, 2014

THE MYSTERIOUS TRAVELER :Traveler Between Worlds

Have you seen her, the mysterious traveler?
She's tall and slender and tilts her head to the side when she studies you. Her face is a mosaic of mismatched pieces: eyes too large, mouth too small. Her spiky copper hair brightens to red at the tips. Completely natural, or at least I've never seen it change. She's not pretty, but she has one of those faces that you notice. The kind you sneak another peek at when you think she's not looking. She fascinates.
The first time I met her, I was stopped at a light, drumming the wheel, in a hurry to get elsewhere. She stood, hunched in a downpour on the curb looking lost and bewildered. I rolled down the window and asked if she needed a lift. She shrugged and folded herself into the passenger seat. I asked where she needed to go and she shrugged again. "I'm just visiting here," she said.
Something about her intrigued me, even then, so I said, "You can stay at my place." She smiled as if the gesture was new to her.
I loaned her a t-shirt and pants that were only a little too long to replace her wet clothes. She emerged from the bathroom, exotic wrapped in plain. The t-shirt she wore inside out, and somehow that appealed to me. I said nothing.
I invited her to stay as long as she liked. She shrugged. "I'm only visiting," she said. But she stayed, and the rhythm of her presence settled in my space.
We climbed to the roof of my apartment one night, and lay on a blanket, looking at the stars. She pointed them out and gave them names I've never heard and wove stories about them.
"A garden world orbits that one. It has red flowers as big as your head that drift in the breeze."
"There is the home of a childlike race ruled by a near-immortal."
I listened to her made-up stories and ran my palm along her pale skin until her slender fingers entwined with mine.
"Where are you from?" I asked.
"Far away." She pointed to another star and spun a tale of a restless traveler who once lived there.
She talked nonsense as she drifted into sleep next to me, the smell of her skin--like cinnamon turned sideways--comforting in the dark. "Simplicity suits me," she would mutter, or, "I wish I could stay." When I woke her up to ask what she meant, she would look at me with her near-violet eyes and shrug and close them once more, leaving me to watch her pulse dance a little too slowly in her throat.
Her quirks enamored me. The way she nibbled at her food as if each taste might surprise her. Or how she stopped to smell each item we passed in the store. Her insistence on finding Aldebaran each night, and how she grew despondent when clouds obscured it. I would pull her head to my shoulder and whisper old songs in her ear until she fell asleep.
I sensed mystery in her and asked questions, hoping to discover her secrets. She listed the elements that made up the food we ate, the air we breathed. I asked her how things worked and she told me: the television, weather patterns, the space shuttle. "Where is Canada?" I asked, or, "Who was the first man on the moon?" She shrugged and sang along with the radio, her voice adding notes between notes in a way that disturbed me even as it sent shivers through my skin.
The smallest things fascinated her, everyday happenings so common I'd forgotten to notice them. A lone dandelion. Sun against the universe of grass. Fog glowing with streetlight as it rolled up from the bay. Discordant cricket music in the last moment of daylight.
She never cried, or belly-laughed, but over time I learned to sense her excitement, or anger, or when she was tired. Only a week ago, her eyes turned dark and her mood, melancholy. "What's wrong?" I took her hand. "What can I do?"
She shrugged and smiled at me and traced a line down my cheek with a cold finger. "You've been everything I came here for," she whispered. She grabbed my hand and pulled me outside and we walked in the park where she gathered fallen leaves. "To remember," she said.
This morning I woke up alone. My t-shirt lay folded, inside out, in her space, and the not-quite smell of cinnamon lingered on her cold pillow. Coffee languished cold in the pot, ivories with yesterday's cream.
I drive slowly now, scanning every face along the streets. None of them are her. None of them can ever be. I struggle to remember how I lived before her. She's strange in ways I've never known, but she fits me. No one has ever made me feel more human.
Have you seen her?

Wednesday, January 22, 2014

Quote of New Orleans


If you're open to it, New Orleans will teach you about yourself, but if you want to hide from who you really are, the city will help you do that, too.

Saturday, October 19, 2013

GOTHIC EROTIC ROMANCE ON BOURBON STREET


Erotic romance stories feature romantic relationships and lots of spicy love scenes. In erotic romance stories, the hero and heroine (yes, these are usually heterosexual stories) fall in love or decide to make a commitment of some sort, generally marriage. Erotic romances are sold in regular bookstores as Harlequin Blaze, Berkley Heat, Berkley Sensation, Kensington Brava, and Red Sage, Avon Red, and Black Lace lines. They can be found online in e-book form as well, from short stories to novellas to novels. Erotic romances are distinguished from romantic erotica, romantica, or just plain erotic fiction (erotica). Here are important points to keep in mind when you write erotic romance fiction.

Friday, October 18, 2013

BOURBON STREET NIGHT LIFE

What happens in Vegas may stay in Vegas, but what happens in New Orleans, goes home with you. Hot and sexy!

Thursday, October 17, 2013

VICTORIAN GOTHIC ROMANCE


Gothic literature is concerned with the exploration of the sinister and the supernatural. Unlike a horror, a similar genre, Gothic literature is less direct -- the ghosts and demons do not reveal themselves. This reliance on the power of suggestion to create terror in the reader's heart gives Gothic stories a more haunted feel than horror stories. A Gothic romance story combines the mystery of the Gothic with the titillation of a romance, giving twice as much entertainment as either genre alone.
Choose a gloomy setting for most of the action to take place. Classic Gothic stories were set in places such as abandoned castles, manor houses and ruins. Use the setting to create an ominous mood.

Use a recognizable Gothic hero. He's a loner, and a man of few words. He's dark and mysterious. Have him kill someone in the past. Have him see ghosts and visions. Have all the women he's ever loved die inexplicably.
Create a heroine who is a firm believer in true love. She suffers from violent passions that struggle to find an outlet in an oppressive surrounding.
Create a tyrannical father-figure. He doesn't have to be a blood relative but it's good form to make him odious. In short, create a monster.
Make the hero fall in love with the heroine, or vice-versa, to add the romantic element. Unrequited love works better since most readers will instantly identify with the situation.
Bring in the jealous monster. Turn it into requited love, or else there'll be no romance. Make the tyrant hiss and prowl around the castle on moonless nights. Make the brooding hero defeat him.
Use the metonymy of the doomed. Make the wind howl and sigh, and mingle with laughter, also howling. The Gothic vocabulary of negative emotions is vast. Choose with precision.